Available on opaque mix "Hellfire" wax, limited to 1,000

Breaking from the strange monotony and abnormal norms that took hold during two years of pandemic life, Hammock returns with "Love in the Void", an album that looks to the future, seizes the present, and unabashedly relishes the experiences and bonds that bring meaning to our days. Known for crafting orchestral works of stirring cinematic ambience, on "Love in the Void" the Nashville-based duo of Marc Byrd and Andrew Thompson bring guitar-forward, heart-pounding urgency to songs that shout through and shatter the static of complacency.

Since forming as Hammock in 2003, Byrd and Thompson have released 11 critically-acclaimed albums, and are renowned for their unique talent for bringing inexpressible emotion to life. The Covid-19 pandemic followed closely after one of Hammock’s career-defining works, the Mysterium, Universalis, and Silencia trilogy that chronicled the incomprehensible loss of Byrd’s 20-year-old nephew. At their homes and apart, Byrd and Thompson then recorded Elsewhere, an album of shimmering ambience that channeled alienated longing and displacement into avenues that gave way to worlds and possibilities yet realized.

Shaken awake and needing to break free of frustrations and longings, "Love in the Void" pulses with an unbridled spirit for action and experience and a burning desire for connection. Across songs that hammer home the keenly felt emotions of life’s highs and lows, Byrd and Thompson crest soaring crescendos awash in reverb and delve to keenly felt moments of quiet introspection, with unflinching lyrics on tracks like “Undoing” and “Denial of Endings'' that weigh choices made and circumstances that can’t be changed. Lush and dramatic string orchestration from Matt Kidd (Slow Meadow) and emphatic drumming from Jake Finch heighten the stakes in play, and Christine Byrd’s (Lumenette) ethereal vocals leave mysteries lingering in the haze.

"Love in the Void" is Hammock’s loudest album to date, embracing daring and vulnerability with palpable vitality at its core. Wide-eyed and looking forward, "Love in the Void" moves into an unknown future without fear. -Wyatt Marshall